oh. yes. How i love me some 50 cent.Originally Posted by Mikker
oh. yes. How i love me some 50 cent.Originally Posted by Mikker
Yeah, it was beautiful. :3Originally Posted by Andrew
Andrew is making a profit through Homestuck, i.e. shirts and other merchandise, and the fact that it is an original work. Using someone else's music on it without permission is like hellaciously wrong and all that boring shit.Originally Posted by Andrew
I just make some silly tribute videos so I'm clear.![]()
....Originally Posted by Descriptor
*opens Enter*
N...no? GOM is saying 7:39
By 3:30 Dave just summoned the wine cabinet
The music track is a little over three minutes long.
Actually I just remembered, that song I used for Episode Six is public domain.
http://www.newgrounds.com/audio/listen/180547
Still can't be used for profit*.
*Unless you talk to the artist.
Yeah I came back to edit and add that Homestuck is probably considered commercial.
I think the main difference between game music and traditional music is that while traditional music can have opening builds and climaxes, video game music needs to be largely consistent throughout so as to maintain the flow. Furthermore, they usually have to be able to loop seamlessly so you really can't have an opening build or climax/fade out.Originally Posted by michi
That being said, a lot of videogame music does varry wildly in the middle, but it can never really drop below a certain level or else it becomes disconnected.
[S] Enter coming soon.
The last time I played video games with music was the Nintendo NES so I guess I'm a bit out of the loop with all this! The music from [S] Enter was in my mind verging on too dramatic, but was saved by the lighter piano interlude that played during Rose's dive. Is that what you mean? If it were all just constant crescendo I would go bonkers hahaha.Originally Posted by Gankro
Haha my goodness I feel so stodgy. "Kids and their music these days!"
ZEITLOS that was another GREAT ONE.
Game music has to be played flexibly. It's almost never of a fixed length. So it's written to be the same theme throughout, and capable of looping, and they just change songs as the themes change. That's what they mean.
So I done gone an made myself another shitty tribute. Yes I did.![]()
Here's an MPEG upload too.
For the previous one as well.
Heh. Heh-heh.Originally Posted by michi
Hey, sweet tribute there Armada-mayne.Classy fade transitions between frames are classy!
![]()
It's 4:13 long! Way to go Zeit! Nice music too.
Celebratory.
Blog.
Post.
http://mspatributes.blogspot.com/
The ending was excellent.
The music you put to that was cool, but it was no Bowman.
Magnificent.
But, uh, I think you may have gotten a pair of images switched around at the end there.
...But it's probably just me.
The Magician | The Chariot | The Hermit | The World || The Moon || The Deck
I saw it as an artistic gesture rather than a mistake.
And while E.S. Posthumous lacks the Bowman touch, their music is still pretty epic.
Pretty cool ZeitEis.
I'll probably splash these around the news in a bit. Maybe after a little more time has passed after everyone's 50th repeat viewing of Enter. This may help mitigate some of the inevitable youtube comments to the effect of "wtf is difarent song lame1"
Actually I sincerely screwed up even further back when I mixed up the Midnight Crew flash with the curtains closing on the fake Intermission of GT vacantly boggling.
Boy am I glad no one found that yet!!
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Sweetly hellacious, Andy! I will look forward to this future event which will happen soon.
Not to burst your bubble, but I noticed it. I just didn't think it was that strange, as it works nicely as a transition between MC and HS.Originally Posted by Zeitlos Eisen